Browsing Tag

Karl Lagerfeld

Heterophobia – addressing a controversial mannequin


Does the dominance of gay fashion designers suggest an endemic heterophobic propensity by the fashion illuminati which is manifest in its most insidious form by the pervasive tendency to corrupt the female body image by persisting with anorexic “de-feminised” models as a paradigm of perfection ultimately undermining the male/female synergy? … or perhaps the fashion illuninati are simply a pawn in the plan for androgenous evolution.

Karl Lagerfeld, Uniqlo and Condé Nast Japan aids Japanese Red Cross

Karl Lagerfeld, Uniqlo and Condé Nast Japan aids Japanese Red Cross

Uniqlo and Condé Nast Japan have partnered to create 10 T-shirts designed by Lady Gaga, Karl Lagerfeld, Gwyneth Paltrow, Nicole Kidman and Alber Elbaz, among others, with proceeds to benefit the Japanese Red Cross. The T-shirts go on sale June 25 for $19.90 and the retailer expects to donate about $1.2 million to the organization and its ongoing efforts to alleviate the impact of the earthquake in Japan in March.

Nicole Kidman clothing

Other celebrity participants include Blake Lively, Charlize Theron, Cyndi Lauper, Victoria Beckham and Orlando Bloom. The initiative is on top of the $12 million that Tadashi Yanai, chairman and chief executive officer of Uniqlo’s parent company Fast Retailing Co. Ltd., has personally donated, and the $8.5 million in clothes and $3.6 million in funds the retailer donated immediately after the disaster.

via WWD

Karl Lagerfeld T-Shirt

Karl Lagerfeld x Sylvie van der Vaart

‘Karl Lagerfeld x Sylvie van der VaartDutch actress Sylvie van der Vaart and German fashion designer Karl Lagerfeld pose during the 60th Bambi media awards ceremony in the southwestern German town of Offenburg. Each year, the German media company ‘Hubert Burda Media’, honours celebrities from the world of entertainment, literature, sports and politics with the Bambi awards.

Karl Lagerfeld + Fashion Manifesto

‘Bulgari Ring + Save the ChildrenExcerpts from Professor Karl’s handwritten fashion manifesto:

• “There is a strange and invisible borderline when fashion is not only fashion, but becomes the most evident and most easily visible expression of an area.”

• “Fashion as history is beyond fashion, and it is not only limited to clothes.”

• “It is difficult to imagine today that people who shaped the fashion of the first 50 years of the 20th century never had an exhibition in a great museum during their lifetime….Designers (called “couturieres”) were happy to dress people (mostly women of society). They designed with the icons of their times in mind — before that word was used as we use it today. They had muses then….For Chanel, it was simpler. She was only her own inspiration (what I admire).

• “The face of fashion is now in the hands of a small group of big companies and they often own several important and influential fashion brands. They also help to make it possible for museums to stage important shows.”

• “Fashion is today also about big shows like Hollywood productions. In the past, designers made fashion history by dressing people who had a real life in those clothes. We should learn a lot from that. Red carpet (another invention of our times) helps to distort fashion by giving it a fake and too glamorous face.”

• “The great designers of the past were certainly not humble people, but they worked in the days before media buzz. What helps most of us a lot in a way, promotion (and self-promotion), did not exist before. It’s also something that makes our approach to fashion different (too different?). But what will survive from all that?”

• “Fashion is about the harmony between utility and beauty. But the sense of beauty in fashion changes quickly — nearly as quickly as fashion itself. Some people tell us that utility is itself the essence of beauty. That may be OK for sportswear (such an important part of fashion today and not always the best). I think there has to be another dimension to it, and Harold is our visionaire in that area. You don’t design a dress only because it’s easy to wear. It should be — but that reason alone could make fashion a bore.

• “A new fashion can appear having the same origins in inspiration and admiration in the past of fashion. The danger is for us designers to be too exposed to the seduction of the past.”

• “It is difficult to work out your own vision of fashion without being haunted by the beauty of the work of the people before us — even if they were also not immune to all kind of influences and inspirations to achieve a strong vision and a unique style.”