The Emporio Armani menswear collection for next spring and summer was entitled “Lightness.” That’s lightness in fabric and certainly not quality and aesthetics. Suits were layered with loose-knit cardigans, highlighting the lightness of the collection, on top of light T-shirts. Loose jackets were virtually transparent, revealing the shape of the model. The color scheme was masculine and neutral in grays and blues.
Giorgio Armani Men’s Collection Fall/Winter 2011-2012
To mix and remix: this key approach that defines so much of contemporary culture is at the heart of this collection. It’s an eclectic process that draws on and reinterprets the classic world of Giorgio Armani. ??The presence of the colour grey is important and a determining factor for Autumn/Winter 2011-12, and is expressed in a wide range of nuances…masculine and sophisticated!
?From suits to shoes, from belts to silk printed shirts, flannel transforms and is reinterpreted, giving birth to a mix of innovative impressions.??This is never more apparent and clearly stated than in the outfit that opens the show: a beautifully designed and weighty overcoat, teamed with a flannel suit/tracksuit, a shirt in jersey and a tie.
?This fusion of contrasting elements, achieving a well judged balance between the elegant and the casual, combines a clear cut logical code of dress with a total commitment to progressive and contemporary couture for men.
Escapism has been a running theme this season, but Giorgio Armani knows that guys still have to work. For spring, he served up a lightweight wardrobe that was varied, of-the-moment and – above all – effortless. With a summertime city slicker in mind, the designer combined classic with casual in just the right doses.
The first look out – a crisp double-breasted jacket in linen worn with roomy trousers – set the tone for a breezy take on tailoring.
Sport coats – mostly two-button and cut short and tight in classic cotton blends, weightless jerseys or slightly iridescent fabrics – flaunted Armani’s sophisticated, yet light touch.
He brightened up his signature palette of beiges and grays with cool blues and touches of citrus yellow, which he applied to suede desert boots, belts, ties and sporty blousons in tech-y fabrics. While some trousers – set high on the waist – boasted his signature pleats, the silhouette seemed slimmer.
The finale to this succinct show was a squad of crisp, cool jackets, buttoned-up shirts and easy trousers, giving men a host of reasons to look forward to the weekdays.
Megan Fox for Emporio Armani Campaign Ad Video
Megan Denise Fox (born May 16, 1986) is an American actress and model. She began her acting career in 2001 with several minor television and film roles, and played a recurring role on Hope and Faith. In 2004, she launched her film career with a role in Confessions of a Teenage Drama Queen. In 2007, she was cast as Mikaela Banes, the love interest of Shia LaBeouf’s character in the blockbuster film Transformers which became her breakout role and earned her various Teen Choice Awards nominations. Fox reprised her role in the 2009 sequel, Transformers: Revenge of the Fallen. Later in 2009, she starred as the titular lead character in the film Jennifer’s Body.
Fox is considered a sex symbol and frequently appears in men’s magazine “Hot” lists. She was listed #18, #16, #2, and #5 on Maxim magazine’s yearly Hot 100 list in 2007, 2008, 2009, and 2010 respectively, while FHM readers voted her the “Sexiest Woman in the World” in 2008. She ranked number one on Moviefone’s “The 25 Hottest Actors Under 25” in 2008.
In 2004, Fox began dating Brian Austin Green, of Beverly Hills, 90210 fame, after reportedly having met on the set of Hope & Faith. They were involved in an on-again, off-again relationship, before finally marrying in June 2010.
Armani Exchange Autumn 2010 ad campaign with its futuristic blockbuster movie vibes. Dubbed “2020/Speed Style”, the campaign is shot by Matthew Scrivens under the direction of A|X Chief Marketing Officer, Tom Jarrold. The ads feature Major model Arthur Sales alongside Tamiris Souza Freitas.
A|X Armani Exchange was launched in 1991 in the U.S. The label created by Giorgio Armani is known for its provocative ad campaigns and popularity among young Hollywood pop culture. Armani Exchange designs, manufactures, distributes, and retails fashion and lifestyle products, including apparel, accessories, eyewear, watches, jewelry, and music. It is inspired by street-chic culture and fashionable dance music. Although considered the most accessible Armani brand, Armani Exchange is considered moderately priced in the general market, with average prices under $100.
A|X Armani Exchange has kitted out a retro ice cream van that will serve up cool gear, the latest A|X Autumn 2010 denim flavours and cool denim deals! A|X invites shoppers to grab the latest styles and “Cool Down for a Cause“– proceeds from the day will benefit the SurfRider Foundation and their efforts with he Gulf Oil Spill.
A|X Armani Exchange is accessible Armani, inspired by street-chic culture, fashionable dance music and everything that signifies freedom and personal style. Armani Exchange is the youthful label created by Italian designer and entrepreneur Giorgio Armani.
With Armani Exchange, Mr. Armani interprets his sensual and unique style to create a casual, yet sophisticated collection for the young, urban and sexy. It designs, manufactures, distributes and retails fashion and lifestyle products, including apparel, accessories, eyewear, watches, jewelry, and music.
Escapism has been a running theme this season, but Giorgio Armani knows that guys still have to work. For spring, he served up a lightweight wardrobe that was varied, of-the-moment and – above all – effortless. With a summertime city slicker in mind, the designer combined classic with casual in just the right doses.
The first look out – a crisp double-breasted jacket in linen worn with roomy trousers – set the tone for a breezy take on tailoring.
Sport coats – mostly two-button and cut short and tight in classic cotton blends, weightless jerseys or slightly iridescent fabrics – flaunted Armani’s sophisticated, yet light touch.
He brightened up his signature palette of beiges and grays with cool blues and touches of citrus yellow, which he applied to suede desert boots, belts, ties and sporty blousons in tech-y fabrics. While some trousers – set high on the waist – boasted his signature pleats, the silhouette seemed slimmer.
The finale to this succinct show was a squad of crisp, cool jackets, buttoned-up shirts and easy trousers, giving men a host of reasons to look forward to the weekdays. Via WWD.
Armani unleashed Megan Fox’s panty and bra ad. She looks hot, of course, but her stomach is curiously smooth. Everyone’s seen the recent pictures of her AND HER SIX-PACK frolicking on the beach in Maui. Did Armani retouch it away or did she just eat a lot of cupcakes leading up to this shoot?
On February 16th, the night before the premiere in New York of Martin Scorsese’s Shutter Island, Giorgio Armani will host a cocktail party at the Armani Ristorante.
Giorgio Armani says, “Martin and I have known each other for many years and I am a great admirer of his work. I am delighted to be able to celebrate the opening in New York of his exciting new film, Shutter Island – it really is an example of Martin at the top of his game and Leonardo’s performance is exceptional.”
According to a press release posted on the website of the Adidas Group, Giorgio Armani and Reebok, an Adidas brand based in Canton, have announced “a multi-year global alliance to create a special collection, combining active style with sport and technology. EA7 and Emporio Armani labels, with their sporty and sexy lines, team up with Reebok’s innovation and technologies, resulting in the ultimate activewear concept. The collection is infused with Reebok’s sporting DNA and its unique fitness and training heritage, within the contemporary vision of one of the world’s leading fashion designers.”
In a statement, Giorgio Armani said: “Today sportswear and active wear have become really important parts of our wardrobes. I wanted to offer my customers the possibility of wearing sports clothes that were stylish and comfortable. My new alliance with Reebok is a natural consequence of this philosophy.
Once again, the ongoing revolution in male clothing – a revolution in concept, form and content – is moved forwards in terms of contemporary aesthetics by Giorgio Armani, who rolls out the classic canon of his style with a message of constant elegance. With total self-confidence, a variety of attitudes are expressed through colour, this summer’s star performer, together with oversized graphics that are unmistakably Armani.
Indispensable as ever, shades of grey present a virtuoso display of patterns, from shirts in masculine weaves to ties that define the body or at times seem to blend into the background. A succession of stripes identifies the suits, in a game of graphics that extends down to the shoes. The holiday season and long sunny days of summer are evoked by shades of Havana brown lit up by gleams of light and the shimmer of silk on linen. Suits with a city slant appear super-light in pale, luminous colours teamed with lovely loose pieces like the shirt that recalls a small bomber jacket, or the unlined jacket in distressed treated leather.
Denim plays a vital role: lightweight and treated, it brings an unexpected dimension to casual suits, which sometimes include a waistcoat. The sky blue tones of the shirts, with micro geometric designs that range from stripes to azulejo tile patterns, emphasise the impact of plain white suits. Majorelle blue is either bright for contrast or faded for a touch of relaxed joie de vivre. For an energetic walk there are lace-up two-tone shoes with rope inserts; alternatively, look for versions in woven leather like Viennese straw, or ankle boots in ray-effect tanned leather.
Once again, the ongoing revolution in male clothing – a revolution in concept, form and content – is moved forwards in terms of contemporary aesthetics by Giorgio Armani, who rolls out the classic canon of his style with a message of constant elegance. With total self-confidence, a variety of attitudes are expressed through colour, this summer’s star performer, together with oversized graphics that are unmistakably Armani.
Indispensable as ever, shades of grey present a virtuoso display of patterns, from shirts in masculine weaves to ties hat define the body or at times seem to blend into the background. A succession of stripes identifies the suits, in a game of graphics that extends down to the shoes. The holiday season and long sunny days of summer are evoked by shades of Havana brown lit up by gleams of light and the shimmer of silk on linen. Suits with a city slant appear super-light in pale, luminous colours teamed with lovely loose pieces like the shirt that recalls a small bomber jacket, or the unlined jacket in distressed treated leather.
Denim plays a vital role: lightweight and treated, it brings an unexpected dimension to casual suits, which sometimes include a waistcoat. The sky blue tones of the shirts, with micro geometric designs that range from stripes to azulejo tile patterns, emphasise the impact of plain white suits. Majorelle blue is either bright for contrast or faded for a touch of relaxed joie de vivre. For an energetic walk there are lace-up two-tone shoes with rope inserts; alternatively, look for versions in woven leather like Viennese straw, or ankle boots in ray-effect tanned leather.
Contemporary with a deliberate sense of shape: a dual approach that transcends that boringly traditional look so often confused with classic style. A new way of dressing in which the choice of fabrics and their combination in different weights results in a totally renewed vision of the classic, a union of powerful fabrics that emphasises the impact of the garment.
A fitted silhouette with restrained saddle shoulders defines the formal wear, while the sportswear, with its recognisable urban flavour, goes for soft volumes and suggests warmth without bulk. Even the padded jackets appear light, as though deconstructed, with neat linings in plush pile, while the parka comes in lined leather and the caban in ultra light sheepskin.
Colours are mostly dark – including brown juxtaposed with grey – sometimes with a velvet sheen, sometimes with a matt finish, always emphasising the general mood of elegant restraint. Knitwear features tapestry-style mixed patterns, maximising the depth of the colours – the effect is disciplined, and set off by the formal jackets.
This duality – dark/colourful, coarse/soft, classic/contemporary – is the key theme running through this deeply considered and precisely designed collection, in which scarves can be worn as shirts to impart vivacity to the formal jackets, while the trench seems to evolve into a cloak. Shoes are as significant as ever, reinstating traditional and chunky shapes in combination with unexpected touches of whimsy, reflecting the personality and individuality of the wearer.
Victoria Beckham, Leonardo DiCaprio, John Mayer, Mayor Michael Bloomberg, Caroline Kennedy, Alicia Keys, Ricky Martin, Mira Sorvino, Liam Neeson, Josh Hartnett and singer Solange Knowles were among the partygoers at the opening of Giorgio Armani’s new store on 5th Avenue.
Alicia Keys praised Armani, claiming: “I love his style. I love his passion. I love how Italian he is. I love that he doesn’t speak English. … I love the way he makes a woman be a woman.”
Vicky Beckham also repeated her undying love for the fashion monarch: “I have so much respect for Mr. Almond”, she said, as she pouted and fluttered her false eye-lashes with unrelenting girl-power!
Surprisingly, Giorgio had to leave the event ealier than expected.
Giorgio Armani Clothing – Spring/Summer 2009, verbiage:
Fusion of cultures, crossover of tastes, interplay of contrasts: creating an unusual equilibrium between jackets that verge on the formal and comfortable lightweight trousers in shantung. In this juxtaposition of styles that brings to the city a relaxed and elegant savoir vivre, the jacket – always deconstructed but perfectly tailored – favours Prince of Wales checks and chalk stripes, fabrics that may seem traditional but actually emphasise the precise structure of the garment. Worn over a double breasted waistcoat, maybe with a loose untucked shirt or a light chemise in the oriental manner. Perfectly in tune with the lightest of trousers, varying in style from the Indian, to the Balinese or Malaysian, sometimes with printed patterns, always in generous dimensions.
A change of direction is also apparent in the traditional Armani classics, featuring darts for a slim midriff and legs that taper lightly towards the hem, imparting élan to the figure: an effect that is reinforced by the reappraised dimensions of the jacket, slightly shorter and slimmer than recently. Replacing the belt, a casually knotted scarf at the waist adds a witty touch of nonchalance.
Subtle shades of colour prevail, including a green that is almost grey, a grey that approaches beige, putty, twine, with softly blended hints of violet and rust, bringing a more intense and stimulating aesthetic quality to this collection. Even the knitwear, including jackets with the relaxed fit of cardigans, displays the same cultural mix, presented in hopsacks and carpet fabrics. Scarves sit lightly on the shoulders – epitomising the fluid and dashing look of the season. Shoes come in a choice of snakeskin, crocodile and woven hopsack, or laced in the oriental style for the ultimate in lightness.
ARMANI COLLEZIONI MENSWEAR, SPRING / SUMMER 2008 Press Release:
“To head off on holiday where the mood is totally relaxed. Where the natural colours of the ocean are bleached by the fierce sun. Where the tropical afternoon calls for ultra light fabrics – linen, cotton and viscose woven in typical tone on tone Armani designs. Where Bermudas (some with big cargo style pockets) teamed with jersey shirts, as well as blousons and parkas, are the focal point of the wardrobe. This is a collection in which every colour, subtle stylistic reference and inclination evokes the joy of travel, each item connected to the next by a strand of nautical crests and images that conjure up visions of the sea and a blissfully natural pace of life.
Anchors and sailor’s knots abound – embroidered, printed or raised – emphasising the fresh, cool appeal of garments that retain an impeccable sense of restraint with their carefully judged detailing.
For instance, the small white contrast features that define the navy blue cotton blazers, worn with that vital Armani classic, the Nehru collar shirt. A cold mineral grey mingles with the blue to deliver an unusual and sophisticated contrast. Nehru jackets come in a choice of fine materials, including techno fabrics and ultra light leather. Striped patterns, predominantly in blue and white, take on a significant role in the knitwear and jersey section, either worn together with or as an alternative to a good selection of jackets, ranging from a version in printed nylon to a safari or a blazer in blue and white techno jersey.Â
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An unusual feature of the trousers is the way the belt fastening gathers them in to reduce the width, a hallmark of this season’s styling. Everything is given unaccustomed impact by the ubiquity of a soft white that seems to have been baked by the sun, figuring in micro chalk stripes, monochrome weaves, patterns in tone on tone or incorporating shades of tobacco brown. Summoning up the erotic and seductive magic of Tangier, or the raffish elegance of Havana in the late Forties. Prime example, the ivory Spencer jacket with shawl collar.
Making its debut this season, Armani Collezioni Active draws its inspiration from the world of sport, giving priority to high performance techno fabrics treated with design flair and innovative thinking to satisfy the requirements of those who love sport but are not obsessive about working out in the gym. After the outstanding success of the limited editions introduced last season, another special edition is now ready – a blouson in ultra soft hand woven nappa leather. This is in addition to the even more restricted luxury version created in the lightest, most effervescent wool, graded as Super 200. The height of exclusivity, only one hundred of this model will be available throughout the whole world. Each one will bear an internal label indicating its actual serial number, exactly like an original print signed by the artist.”
The Armani Group announces that Giorgio Armani arrived in Tokyo for a series of events coinciding with the opening of his new 6,000 square metre Armani / Ginza Tower concept store. Located at 5-5-4, Ginza, Chuo-ku in the heart of the world renowned Ginza fashion retail district, the distinctive new building has been conceived to become one of the district’s most significant architectural landmarks, not only for its construction (reaching the area’s maximum allowed height of 56 metres), but also for its exterior and interior design, which Giorgio Armani has developed in collaboration with the leading Italian architects Doriana and Massimiliano Fuksas.
The imposing Armani/Ginza Tower is the fourth in a series of unique concept stores, which Giorgio Armani pioneered in 2000 when he opened his Armani/Manzoni store in Milan – a destination fashion and lifestyle retail experience, offering his Emporio Armani and Armani Jeans fashion and accessories collections, his Armani/Casa home interiors collection, a Nobu restaurant, an Emporio Armani Caffé, an Armani/Privé nightclub, a flower shop and bookstore and a fragrance and cosmetics counter. Two further concept stores followed: Armani/Funf Höfe in Munich and Armani/Chater House in Hong Kong. The recently announced Armani/Fifth Avenue will become the fifth concept store, when it opens in New York in Autumn 2008.
The 12 floor Armani/Ginza Tower concept store offers both of the designer’s runway fashion collections, Giorgio Armani and Emporio Armani, his Armani/Casa home interiors collection, the world’s first Armani/Spa, the Armani/Ristorante contemporary Italian restaurant and the Armani/Privé lounge bar.
Could you imagine Giorgio Armani standing in the Shed at Stamford Bridge? Probably not but Giorgio Armani has knocked up a sharp new off-field uniform for the West End’s Chelsea F.C. players, which has been available for fans to buy through Emporio Armani stores in the U.K. since Friday.
“Chelsea F.C. has become known the world over for the quality of its game and the internationalism of its players who have become sporting icons,” said Armani in a statement, adding the club’s manager, José Mourinho, had creative input into the designs. “José was personally involved in reviewing all of the sketches and fabrics.”
“Mr. Armani wanted to adopt a fresh approach to our suits,” said Mourinho, in the statement.
Giorgio Armani is to open an Emporio Armani online store. “In the last seven years, I have seen mounting enthusiasm for online fashion shopping in the United States through the growing success we have had with our A|X Armani Exchange site,” Armani said. “Over this same period I have also observed the increasing sophistication of fashion consumers shopping online, which has encouraged me to develop this new site for my Emporio Armani lifestyle.”
“Ginza is literally an intersection that is now attracting a diverse and international cross section of fashion consumers who are attracted by the energy and excitement that has been created there.” Giorgio Armani said.
Giorgio Armani, one of the world’s most successful fashion designers, has unveiled his concept for a new Armani/Ginza Tower in the high-profile shopping district of Japan’s capital. The concept is approximately 65,000 square feet over 12 floors and two basement levels. Set to open in November, the space will feature the Giorgio Armani, Emporio Armani and Casa collections, along with the brand’s first spa, an Italian restaurant and a Privé bar. There also will be showrooms and the new corporate headquarters of Giorgio Armani Japan Co. Ltd.
Giorgio Armani signs Beyoncé Knowles to be the face of his next women’s fragrance, Emporio Armani Diamonds, due out this autumn. “There is no one today who transcends music, film and fashion in the way that Beyoncé does,” said Giorgio Armani. “Beyoncé is pure sensuality. She has that ability to mix it up: young and sexy or elegant and sophisticated, but always with incredible charisma and magnetism.”
“She represents perfectly the energy, style and sensuality that inspires the Emporio Armani lifestyle,” added Armani.
The armani Jeans Spring Summer 2007 Collection continues to build on the brands growing reputation for foresight and innovation. The style is, as you would expect from Armani, clean and sharp with subtle flare. Overall the S/S 2007 collection gets a big thumbs up!
Giorgio Armani’s couture week extravaganza in Paris will reputedly be graced with the presence of Cate Blanchett, Tina Turner, Katie Holmes, Rosamund Pike and Tinsley Mortimer as Armani presents his fifth couture collection. The event will include launches of skin care for men and women and Armani will present his new-look boutique on Avenue Montaigne which offers clothes and accessories.
The Armani Collezioni A/W 2006 Collection is more than ultimate fashion, it’s true poetry in cloth! Armani has a unique ability to appeal to a broad spectrum of style warriors from couture seeking fashionistas to street-based urban chic strutters. No one is able to credibly knock the Armani brand — it’s pure class however you look at it!
Armani in London had even Beyonce in a sweat: “Thank you for having me, Mr Armani!”, she said after her perfomance to 1600 guests. Giorgio Armani showcased his SS07 Emporio Armani collection in London and acknowledged his involvement with the Red Charity and the opening of Armani/Casa on Bond Street earlier in the day. The event attracted stars such as Leonardo DiCaprio, Bono and 50 cent.
Armani, according to the Independent, is the most powerful man in fashion, and so it should be no surprise that he, and his charitable cause, are able to persuade Beyoncé, Razorlight, Bryan Ferry and Andrea Bocelli to provide the soundtrack to his catwalk show. There were plenty of clothes for the guests to look at though, many flown in from Italy .
Highlighting the charitable intentions of the evening, there were splashes of red in his otherwise grey and black spring Emporio Armani collection, as was the case with the tomato-coloured patent belts worn with a black-and-white striped cocktail frock keeping in tune with the 1980s trend hitting London catwalks earlier this week or strawberry-red taffeta dresses. RED clothing refers to the charity’s stated intention to fight Aids in Africa .
Giorgio Armani, a launch partner in business initiative founded by Bono and Bobby Shriver to fight AIDS in Africa. Giorgio Armani recently announced his support at the Davos World Economic Forum of the Product RED, the pioneering global business initiative launched by Bono and Bobby Shriver for The Global Fund.
Giorgio Armani, Chairman and Chief Executive of Giorgio Armani SpA, said, “It is time to take action, but in a new way. When my friends Bono and Bobby Shriver invited me to join forces through (Product) RED, I understood immediately that this was a pioneering initiative. To unify global brands for goodwill is both powerful and humbling. I have always seen brilliance in simplicity – and RED perfectly defines this. I am proud to follow an inspirational warrior like Bono in the fight against AIDS in Africa. I have always considered myself to be a democratic designer and I will now dedicate myself to work on this initiative in the way I have always done, involving all of those people around the world who enjoy my designs.”
In support of (Product) RED, Giorgio Armani is designing a special Emporio Armani capsule collection comprising clothing, accessories, eyewear, watches, jewellery and fragrances. Giorgio Armani SpA will donate 40% of its gross profit margin from sales of all (Emporio Armani) RED products directly to the Global Fund. The first (Emporio Armani) RED product was a pair of Emporio Armani sunglasses (style EA 9285/S) available in stores from April. Giorgio Armani’s second RED product will be an Emporio Armani watch (style AR0537/AR0538). The unisex (Emporio Armani) RED watch is striking, casual and subtly rugged. It features a large 43mm stainless steel case with a coin-ridged bezel, a thick leather strap available in either black with red contrast stitching, or red with black contrast stitching, and prominent steel rivets that secure the strap to the case. The large digital dial displays the time in oversized numerals and has calendar, chronograph and timer features with push button controls on the side of the case. The dial also features the (Emporio Armani) RED logo at 12 o’clock printed onto the dial’s outer ring. The (Emporio Armani) RED watch will be available from August in all Emporio Armani stores and in select specialty watch stores and department stores worldwide. Pre-orders for the watches can be made by e-mail at emporioarmaniRED@giorgioarmani.it. The recommended retail price will be Euro 255 / USD$225 / £195.
A great many paranoid conspiracy theorists (PCTs) and average Joes and Joettes are conscious of the esoteric order named the Illuminati. The Illuminati is commonly believed to have its roots in the European Enlightenment and it’s believed the order was founded in May 1776 by Adam Weishaupt a Jesuit instructed Professor of canon law. Today there’s a growing belief that the Illuminate is not simply a benign group of intellectuals and wealthy adherents seeking camaraderie in kind but is in fact a malignant entity dedicated to the creation of a one world order in which the masses are enslaved and controlled by “the few”.
David Icke is perhaps the most well-known and vociferous campaigner against the Illuminati and he reputedly believes the Illuminati controls humanity via machinations, subterfuge, secrecy, and conspiracy. Indeed, David Icke cites the Holocaust, Oklahoma City bombing, the bombing of Pan Am Flight 103, the war in Bosnia, and the September 11, 2001 attacks as examples of events orchestrated by the Illuminati; Icke believes these orchestrated catastrophes are designed to coerce, control and led the masses into submissive subjugation — to a world in which the Illuminati have complete, unequivocal and unanswerable control over the ignorant masses.
Recently it was proposed that Fashion has its own form of the Illuminati. This elite order of “fashion” Illuminati apparently coerce, control and led the masses into submissive style — dictating what is fashionable and thereby excluding free and true style which they consider a threat to their positions of power. Most historic Fashion Houses have been identified as members of this esoteric order and a number of media channels have been accused of being complicit in the conspiracy to control the fashion buying masses. It has been suggested that if we look around us today we will see clear evidence to support this conspiracy theory as the verve of youth and innovation is suppressed in favor of drab, lifeless mediocrity.
On the other hand, perhaps we should not look to blame secret orders for the serious, and not so serious, issues of our time. Perhaps we, you and I, the masses, need to step forward and through our own spirit, determination and desire for change claim a new future built on egalitarianism, inclusive respect and opportunity for all.